To explain what Clay Harper and Paul Goodman were arguing about, it is probably easiest to simply go back into time for a moment, to explain what happened on the night that Amy Tilly ended up under a pier. The cast of characters that night included the brother and sister Clay and Sarah Harper, Sarah’s friends Amy and Kristin, and Clay’s friend Paul. The five students had been friends for most of their lives, but like all relationships, theirs was complex, and it had undercurrents which might not have been readily apparent.
The bioluminesence was out that night, causing the waves to glitter where they broke on the shore, and the five friends decided to go swimming. They headed north of town, filled with high spirits and perhaps some beer, scattering their things across the sand of a remote beach and diving into the icy waters, watching the brief flares of light as the waves broke around them.
If you haven’t seen bioluminescence, it’s hard to explain what it felt like that night. The entire world turns surreal and almost magical, and the ocean seems alive, with every twist and churning motion illuminated. The ethereal nature made everything that night seem very distant, as though everything was happening at the end of a long tunnel, abstracted.
Amy was first out of the water, breathless, and she pushed through the thick undergrowth along the edges of the beach to gather driftwood, assembling the makings of a fire which was roaring by the time the other four emerged from the water. She had always been handy with that sort of thing, and she shouldn’t help but be pleased when Paul Goodman smiled at her over the flames and waved his hand lazily, suggesting that they walk up the beach.
What happened when they walked up the beach is somewhat unclear in the minds of those who were there that night, primarily out of a deliberate desire to suppress the facts. The Harpers talked with Kristin about the biology project, and at some point more beer was drunk, and Clay began to wonder what had happened to Amy and Paul, if perhaps they had become disoriented, as sometimes happens at night, especially when you are flushed with youth and intoxicants.
As Clay started off up the beach, he heard a strange rustling in the undergrowth, but when he cast his flashlight over the bushes, he saw nothing, only the tight tendrils of sweet peas quivering in the breeze. He shook his head, dismissing the idea that the vines were moving on their own, and meandered on until he heard shouts and laughter, and realized that Amy and Paul had climbed back into the water to swim again.
It is perhaps easy to say what each of us would have done in this situation, but none of us were Clay Harper, who was suddenly filled with a stomach churning bitterness. It was this that distracted him as the tenor of the shouting changed, and it was the pounding of his heart and the sudden hot prickling feeling around his eyes which consumed him as Amy Tilly drifted beyond the breaking waves, feeling herself sucked out to sea.
Coastal currents are strange.
Sometimes they’re there, and sometimes they aren’t. And, always, there is a strong current which runs along the shoreline, quite close to shore, actually. Sometimes it rushes north, whispering about bikini-clad bodies and ceviche, and at other times, it veers south, bringing a rush of briny, cold water. By the time Amy reached this current, she was probably dead, sucked under by a rip tide and battered against the ocean floor, and she had inhaled enough water to sink below the surface of the ocean, so no one other than a few curious fish marked her passing.
By the time Paul realized that she had truly vanished and he clambered ashore, Clay had turned back to the fire, and he was sitting there with tight lips when Paul returned, alone, to tell the first story in the disappearance of Amy Tilly.
It was then that the argument began. Kristin wanted them to call the Coast Guard, the police, to rescue Amy, while pragmatic Sarah pointed out that Amy was probably already dead, and that the fact that they were all drinking would stand against them, especially if anyone thought to search the car, and found Paul’s weed. For Sarah, the choice was obvious; she didn’t want to jeopardize her acceptance into an expensive college, her financial aid, her life, and she fought vigorously against Kristin’s determined efforts to report the situation.
In the end, Sarah won, as fear often does in these situations, and the four concocted a plan and an alibi.
It was this that Paul Goodman and Clay Harper argued about while Sarah’s body was meticulously deconstructed in the morgue and the tendrils of the Harper’s garden shuddered around them. Clay’s desire to protect his sister was perhaps understandable, as was Paul’s guilt about the disappearance of Amy Tilly and their knowledge of the situation, and the situation might have been intractable if Kevin Carlisle hadn’t been riding Intifada down the alleys of the town that evening, taking advantage of the quiet to get used to the horse. Perhaps if the alley near the Harper house had been paved, instead of gravelled, the two boys would have heard the tell-tale clop of hooves, but they didn’t, and as a result Officer Carlisle could clearly hear the boys arguing.
As he understood the tone of the argument, his eyes widened, and he found himself facing a dilemma: to wit, where does one put arrestees on a horse?