Book 222: The Wood Wife 31Jul08 | 0 responses
This book was distinctly surreal, and rather cool. It took me a little while to get into it, because I had trouble following what was going on, since Windling threw a lot at me. But once I started to get accustomed to the style and the transitions and the characters, I found The Wood Wife to be rather gripping, and I started plowing through it, stopping pretty much only to eat a potato.
While the book takes place in the Southwest, Windling spared her readers the horror of cultural appropriation, and instead made up an entirely new world of spirits and mysterious figures, rather than borrowing from the now almost-cliched culture of the Southwest. Which I liked much better than yet another book written by a white person about Native American culture. The fantasy characters in this book were interesting, multifaceted individuals, and I liked slowly learning more about them, seeing who to trust and who to avoid.
I’m not a huge fan of poetry, so the random poetry junk interspersed in the book didn’t get me that excited, but I tried to look beyond it, because the characters and the setting were neat. I haven’t really been in desert country before, and I wonder what I would think of it. I suspect that I am too closely tied to my own home to adopt a new one, and I can’t imagine only finding a true home as an adult, like the main character in this book does.
The concept of being devoured by the muse (in a sense) is familiar to me, and I thought that this book had an interesting way of describing the relationship between artist and muse; it is indeed a bargain, and sometimes the artist loses.
Demographics:
The Wood Wife, by Terri Windling. Published 1996, 320 pages. Fiction.